Clătită the Almighty: Difference between revisions

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* [[Irresponsible Uchūu Spaceship Tomato SSX of my Youngth]]
* [[Irresponsible Uchūu Spaceship Tomato SSX of my Youngth]]
* [[JoJo'z Bizzare Aventuer ep 20 free streaming - Young Xæzar TVRip 2008]]
* [[JoJo'z Bizzare Aventuer ep 20 free streaming - Young Xæzar TVRip 2008]]
* [[dQw4w9WgXcQ]]


=== Representations ===
=== Representations ===

Revision as of 00:53, 5 May 2024

For typability reasons, this page is also searchable as: Clatita the Almighty

Today's topic is D for Dab!

—D se Dab
Clătită the Almighty
Pronouns
he/him
Other names
The Dabmaster
Chotu
First Appearance
Source Media
Motu Patlu

Clătită the Almighty, also known as Chotu (his name in the source media) or by his title of the Dabmaster, is a character in the remix tree. Born from a commonly-memed video by Nickelodeon India, he became a recurring character in the stretch of the main branch that immediately followed the Crazy Noisy Showdown, most notably in the Dabmaster Saga. That series of remices would later be adapted into the short story Girono goses to the tuna factory and dies, where he was a major character.

He is a powerful and benevolent being who lives in the far future and grants wishes. He has some time powers, which allowed him to affect the world of 2019.

Underlings

Clătită has six underlings mentioned in D se Dab: Motu, Patlu, Gattu, Battu, Ninja, and Kenichi. They work to feed him energy through subterranean energy shrines.

History

When Paula was young, he appeared in a video titled D se Dab that Shannon enjoyed, much to Paula's chagrin.[1]

In 2019, he created a summoning circle involving Shannon and Paula, which brought visual copies of him into the present and activated his power.[2] Matthew Rockefeller warned Melone and Giorno about him, who were determined to take him down, assuming he malevolently caused the destruction around them. When they rode the temporal shockwave of his dabs over to his time, he gladly greeted them and invited their wish to be granted.[3]

Appearances

In-person

Representations

References